Skin Illustrator Palettes Flesh Palette- SIFTP

The FleshTonePalette contains colours that range from the palest of pink tones to the deepest rich yellow tones.

Not for everyday use. Recommended for professionals only.

The system contains skin tone colours with warming/cooling adjusters that are ideal for fine tuning a skin tone mix thats a perfect match, or for creating a subtle bruising for close camera work.

• RicePaper, the staple of the palette, canbeused as a white colour to lighten a particular mix, or on its own to match the skin.
• Natural1and Natural2are the basis for mostCaucasian tones. These colours already lean to the yellow side of a natural tone so you can decide how much warmth or coolness to add.
• If you need to warm the Naturals, add a littleCoralAdjusterorRoseAdjuster2.
• If you need to cool the tone, add a littleOliveAdjusterorVein Toneto achieve a beige colour.
• Lao1and Lao2will be the basis for your yellow undertoned subjects.
• Start with these colours and you can lighten the tone with a RicePaper mix.
• To make your colour more beige, add VeinTone.
• To make your color more olive, addOliveAdjuster2
• To add a touch of golden quality, use the CoralAdjuster.
• CedarBrownis a warm yellow based brown that can add a tan to your actor or darken the 5 basic flesh tones

All of the colour adjusters have been formulated to intermix with the flesh tones.

The colours can easily be applied with a brush, sponge or mascara wand. Use it alone, or mix the colours with any of the other Skin Illustrator tones to create your own unique blend of colour.

You must use99% alcohol to activate the colour pigment. (Do not use 70% alcohol, MEK, acetone, water or any other solvent).

Removal is easy withPPIs TelesisSuper SolvorTelesis Makeup Remover.